ASHARA ART EXHIBITION
Ethiopian Visual Artists Collective Debuts in Alexandria, Virginia
By Paul Ndiho
The Dr. Oswald Durant Center in Alexandria, Virginia, was vibrant from September 5 to 7, 2025, as the collective ARTIST’S ASHARA, comprised of Ethiopian visual artists based in North America and around the world, made its impactful debut.
ASHARA symbolizes heritage and belonging, bringing together more than 30 artists from across the United States, Qatar, and beyond for a weekend of diverse artistic expressions, including painting, sculpture, architecture, literature, photography, and digital art. The show was as much a manifesto as an exhibition, offering a bold celebration of identity, resilience, and unity.
Among those featured was Tessema Temtime, who traveled from Qatar with three new works. “As an Ethiopian and a global artist, it’s my responsibility to empower personalities who inspire the new generation,” he said, explaining that his pieces honor African scientists. “Art is not only for beauty—it has psychotherapy. It restores you. When you live with a painting, it gives you different messages, it relaxes you, it heals you.”
Seattle-based artist Serkalem Makonin shared paintings that reimagine Axumite architecture and the Ge’ez alphabet. “Our alphabet carries deep meaning and wisdom. I want the new generation to know that. These symbols hold knowledge we risk forgetting,” she said, pointing to his depiction of Ethiopia’s ancient history.
Sculptor Daniel Kebede presented photographs and more minor works inspired by traditional Ethiopian household tools. “These items aren’t just tools,” he explained. “They carry stories, songs, and medicine. If they could talk, they would tell the wisdom of our ancestors.”
Organizers say the debut marks only the beginning. “We started with Zoom meetings in late 2024 and now we’re a nonprofit with more than 50 members,” said organizer Mekbib Gebretsadik. “Thirty artists came together for this first show, working like one family. This is just the beginning—we want this to be an annual festival.” His own experimental work, created using only air, gravity, and water, reflected on global warming and the need to heal the natural world.
For me, the highlight came when a local artist based in Silver Spring, Maryland, stopped me, snapped a quick picture, and then painted my portrait within minutes. Watching the lines and colors emerge in real time was unforgettable—it captured the energy of the festival itself, where art wasn’t just displayed but lived, shared, and deeply personal.